Technical Breakdown: Living With Type 1


In this blog post we're going to discuss the look of our 2017 video for the Juvenile Diabetes Research Foundation and the ways we went about achieving that look with camera, lighting and digital grading.



We knew going into this project that we wanted to shoot our interview subjects with two cameras rolling simultaneously. Doing this gave us some leeway in editing and we didn’t have to worry about jump cuts, if there was a moment when an interviewee paused during a sentence we could just cut in to the close up or pull back to the wide shot and make a seamless edit. This also makes for a more visually interesting production so you aren't locked down to only one angle per interview.

Justin Kueber setting up the two Canon c100 cameras.

Justin Kueber setting up the two Canon c100 cameras.

To do this we brought out our two Canon c100 cameras and placed them side-by-side on our Manfrotto tripods. A Cam was equipped with an 85mm Rokinon Cine DS lens and B Cam with a 50mm. We recorded in ProRes using our Atomos Ninja Blade and Ninja Star recorders on the cameras and matched the cameras by shooting in Wide DR mode, identical iso settings and a white balance of 4200k, this maintained a nice warm image with our tungsten lighting.






A paper lantern acted as a key light for the interviews.

A paper lantern acted as a key light for the interviews.

The setting was planned to be at the Hauger family home so going into this we knew we wanted to embrace that home feeling with warm tones and soft lighting. Our main key light was a soft paper lantern with a 150w bulb and we used a c stand and arm to position it close to our interviewees. The spherical shape of the lantern creates a light that wraps evenly around the face and provides a nice eye light as well. A 300w Fresnel on a dimmer with 251 diffusion gel gave our subjects a hair light while a practical placed in the background on camera left acted as a source light. A pretty simple set up that enhanced the natural feel we were hoping to achieve.


Digital Grading

As always we exported an xml file from Final Cut Pro to DaVinci Resolve to perform our colour corrections. There are two different locations in the video: the Hauger family home and the hockey arena in Leduc.

The DaVinci Resolve project timeline.

The DaVinci Resolve project timeline.

The interviews at the home we didn’t change a lot but rather enhanced what was already there in the raw footage. We found a nice balance by adjusting contrast, giving a bit more separation in the skin tones and the bluer tones and pulling some of the yellow out of the whites.



Some before and after shots:

A look was established using this shot. The job then became matching everything else in the arena as close as possible to this.

A look was established using this shot. The job then became matching everything else in the arena as close as possible to this.

The arena segments were a little more challenging. Being shot in a very documentary style with only practical lighting each shot had to be tweaked on its own. We started by taking one shot of Rylee and Jessy, establishing a look and then correcting the other shots to get them as close as possible to that look. In some instances we had to adjust the “exposure” by increasing the gain to better expose for the person on screen. The problem is that being in a hockey arena where everything is white it can be very easy to push the highlight too far to the point of clipping. Shooting in Wide DR protected the highlights considerably and using nodes later in the chain of our correction we were able to bring the highlights down to avoid clipping without affecting the brightness of the mid tones.

Here's an example of the raw footage, the footage graded and then the final image with the clipped highlights corrected:


Hopefully this gave you a little insight into what we were hoping to achieve visually for this short documentary. We want to thank the JDRF Edmonton chapter for bringing us on board to make this piece and, of course, the Hauger family for being so honest and kind while we spent time with them. The video is below and if you haven't seen it yet I hope you give it a watch. Working on productions such as this is a very rewarding experience for us here at Guerrilla.

-Sam Reid


On the Rocks Nominated for Three Awards at the Alberta Film & Television Awards

Yesterday the 2017 Alberta Media Production Industry Association (AMPIA) awards were announced and our feature film, On the Rocks was nominated for three Rosie Awards!

The Alberta Film & Television awards recognize the very best in the Alberta Film & Television Industry. We are so excited to have been nominated for three awards and could not be happier for this great honour. It has been such a journey with this film and we are so thrilled to have it recognized.

A big thank you goes out to AMPIA, our wonderful cast & crew, and everyone that has continued to support this film – And, a big congratulations to all the nominees, we are excited to see you on the 29th of April.



Best Performance by an Alberta Actress

CARLEE RYSKI: On the Rocks

Carlee Ryski Actress


Best Cinematographer (Drama over 30 minutes)

SAM REID: On the Rocks

On the Rocks Edmonton


Best Original Score (Drama over 30 minutes)


**For a sneak peek at Geoff’s AMAZING score and a look into the film please see the link below:



**For the Full Nominee list CLICK HERE**


Rosie Awards Edmonton

Interview with Justin Kueber | Writer & Producer | I Phub You | STORYHIVE | Edmonton Film Production

Our Storyhive funded short film I Phub You is officially complete and sent in to Telus. We are three days away from the February 6th release, so we are going to be posting a series of interviews with the people that made this film happen (cast, crew, etc!) so you can get to know us a little better. We are going to be asking about their process and their take on the film.

Today we have Justin Kueber, the writer and producer of I Phub You joining us today to talk about his process.  Justin Kueber is a St. Albert native that took an interest in filmmaking at the age of 13.  After graduating from St. Albert High School in 2008, Justin began studying History and Film Studies at the University of Alberta. With the tools Justin learned at his post-secondary institution, he set out into the world of filmmaking forming Guerrilla Motion Pictures in 2012. Since graduating in 2012, Justin has written/directed/produced various projects including; The Path (2014), Who Killed Mary Sue? (2017), I Phub You (2017) and directed an episode of Airport Below Zero which premiered on the History Channel in October 2016, and most recently, his first feature film shot in the badlands of Alberta, On the Rocks (2016). Kueber also served as an adjudicator at the 2016 Edmonton Short Film Festival. Kueber’s next feature film will be a coming of age story set against the backdrop of the electronic dance music scene. 

Justin Kueber

When did you write I Phub You?

Draft 1 of I Phub You was actually written in one day, December 9, 2015 and it was just going to be a fun project to shoot with some friends over the winter. We soon found out this film would require a much larger budget, so it was put on the shelf and never really looked at again until a year later, when Dianne Mahoney asked me if I had any scripts lying around for the newest Storyhive competition. I showed her the draft and she was like “WE NEED TO MAKE THIS!”, so she assembled the team (Shannon, Sam, Dianne and myself) and here we are 5 months later. We wouldn’t be here if it wasn’t for Dianne.

Screenwriting Edmonton

Did a lot change over the course of writing/re-writing?

A lot changed from Draft 1. What’s that old saying? The first draft of anything is crap. What you see in the movie is the result of countless rewrites, trying new ideas, and some great brainstorming sessions with my NSI Mentor, Rudy Thauberger who gave me that “A-Ha! Moment” and really helped me focus and fine tune the story. Thank you Rudy!!

Edmonton Film Company

What inspired you to write I Phub You?

I was out for a coffee with my girlfriend and I noticed a group of young people all sitting together at a table, not communicating but rather, playing on their phones. There was a piercing silence between them. Super awkward. My girlfriend thought it was hilarious and I joked to her that if she ever did that to me I would make a movie about it!

It was such a vivid image that stuck in my head well into the next day. While I was walking around the track at the gym, it kind of just dawned on me. That needed to be the opening scene of a movie.

The more I thought, the more I realized you see this consumption with technology (specifically phones) pretty much everywhere. What you see in the film is things I have witnessed first hand in real life (yes, even the urinal scene and yes, it was equally as awkward). Inspiration came from all these observations that I wanted to address in a unique & fun way. Those young people at the table were silent, when people “phub” they are silent. I realized the film should be silent to drive home that parallel. Yes, my personal love for silent film and my burning desire to make one may have come into play just a bit too.

This ultimately led to my own personal logline “a love story that is a love story to silent cinema”.

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One aspect that is always commented on is how unique this script/story is. What do you think makes it so unique?

I think it’s so unique because it is a modern take on the silent film. Our setting is present day and it is addressing present day issues, just told silently.

It works because the main character, Kurtis, is trying to discover what it means to communicate in a world obsessed by technology. Literally everyone in this world communicates by phone and is so consumed by it. So in a sense, they are silent already. Kurtis can’t communicate with anyone/they won’t listen to him unless it is by cellphone. He yearns to find someone who he can go for a walk with and communicate face to face.

I really wanted Phub to hold onto those feelings of nostalgia while also being important and relevant. And, at the same time, light hearted and full of modern takes on fun gags that you would find in a silent film (Chaplin, Keaton, etc).

I Phub You is about technology and the evolution of technology, so there’s tons of references to silent films that helped evolve filmmaking as a medium and pushed it to where it is today: A Trip to the Moon, Battleship Potemkin, 2001: A Space Odyssey (not silent but the utmost important film about technology) And, of course, some of my favorites too. It’s a movie about movies.

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Alberta Drone Pilots

What is your take on technology?

Good question. Technology is evolving faster now than it ever has in any point in history. It’s exciting, especially in the world of medicine, but it is also kind of frightening. The more accessible the technology is and the more society is consumed by it, the less human we are becoming. I guess my outlook on the future is a little bleak; I’ll stop (laughs).

Which part of your script were you most excited to bring to life and why?

I had an absolute blast writing this script so I was just excited to see the entire world come to life. To be honest, I didn’t think this film would ever get made, as I did not have the funds to finance it personally. I am so incredibly grateful for Storyhive and Telus Optik for providing us with this once in a lifetime opportunity to make this film. Seeing it from its inception to final finished product is just so…it’s a great moment. Words can’t describe it. It’s special. Thank you to the Storyhive Team & everyone who voted for us!    

FAVA Edmonton

Let’s switch it up a bit and talk about the production. How did it go? 

It was one of the best productions I have been a part of in my few years of producing. We had the best team! A lot of people claim they have the best team…NO, TEAM PHUB was the best team! (laughs).

Everyone did such an amazing job; Shannon who did a magnificent job directing, the actors who brought these characters to life so beautifully, the background talent who took time out of their day to lend us a helping hand, our selfless hardworking crew, grinding day in and day out, and Geoff Manchester (who composed our music) absolutely blew my mind with his genius score. 

The best part was that everyone was positive, even when it was freezing on our last day of shooting, and just incredibly fun to be around. I hate when sets are super serious (of course there is a time and place) but at the end of the day, we are getting to live our dreams as filmmakers so let’s have some fun, combine our creative minds and make one hell of a film!

I remember saying goodbye to the cast and crew at the Boston Pizza after the last day of shooting and feeling pretty sad that it was all over. Our little “Phub Phamily” was truly a dream cast and crew.

I hope the audience has as much fun watching the film as we did making it.

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What is your favorite Silent Film?

I love silent films but if I had to choose one that is my all time favorite it has to be Sunrise: A Song of Two Humans. It is such a beautiful film; F.W. Murnau is at the height of his career and made something that just is the epitome of the perfect silent film. And Janet Gaynor is so damn adorable and just simply the best. In fact, Janet in I Phub You was named after her. Now you know! 

Janet Gaynor
Sunrise Silent Film